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Cast
Mickey Rourke, John Hurt, Isabel Lucas, Henry Cavill, Freida Pinto Freida Pinto
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Movie Report
About Movie:- Immortal is a Hollywood action movie base on the famous Greek God including Henry Cavill as Theseus, Freida Pinto as Phaedra, Mickey Rourke as a King Hyperion, Kellan Lutz as Poseidon. The movie is about abrave young stonemason assembles a fierce band of warriors to prevent an evil king from acquiring the artifact that will permit him to rule the world in this epic mythological fantasy from visionary filmmaker Tarsem Singh. The ruthless King Hyperion leads his bloodthirsty army on a murderous rampage across Greece to find a deadly weapon that will destroy humanity.Should he succeed, even the Gods of Olympus will be forced to bow before him. In his efforts to locate the invincible and elusive weapon, Hyperion leads his Heraklion army on a brutal rampage across Greece, razing every town in their path, and killing with impunity. When the Hyperions lay waste to his village and cut down his mother in cold blood, vengeful stonemason Theseus (Henry Cavill) emerges from the rubble determined to make the king pay for his crimes. Later, the Sybelline Oracle, Phaedra, experiences a vision of Theseus' future that convinces her he will play a pivotal role in defeating King Hyperion. Armed with that supernatural knowledge, she agrees to help Theseus assemble a small army capable of defeating the tyrannical king, and prevent him from enslaving the entire human race. Stephen Dorff, Kellan Lutz, and John Hurt co-star.This movie incorporates classical Greek myths filmed using 3D technology
Review Of Movie:-“The movie is a feast for guys only: a Grand Theft Mythovideogame in 3-D, apotheosizing the exploits of men who are their own gods, weapons and sex objects. Not since 300 have so many well-sculpted men run around topless; watching Immortals is like walking into the shower room at the Greenwich Village Equinox. , The Cell and The Fall, were shallow but exquisite displays designed almost entirely to show off his extraordinary artistry. With Immortals, Singh finally acknowledges that he’s making movies, rather than just beautiful moving pictures. In his ostentatiously unconventional take on ancient Greek history, he gives us fully fleshed characters and a compelling (enough) plot, plus all the action an epic requires. And, true to form, it’s also the most gorgeous film of the year.”
“The filmmaker has taken special care to choreograph pain in fierce fashion — ordinary 3-D bloodletting and sword fighting is really not enough. All the unimaginable ways to inflict a world of hurt are imagined here in frightful images that seem to rise right off the screen. What's missing is the emotion that might have lifted the film and us as well.
